The Nikon D800: is the pixel count too high?
Yesterday, Nikon announced its D800/D800E dSLRs. 36Mp monsters that out-resolve every other dSLR on the market by at least 12Mp in resolution. In the wake of the modest, 16Mp D4 announced last month (and also in light of the $8,000, 24Mp D3x, the somewhat baffling (of not stupid) move came as a bit shocking to some, myself included as it seemed, thanks to the high Mp count, Nikon was effectively abandoning its claim to having the best high ISO performance on the market, leaving people looking for a $3,000 price range camera for low light completely out of luck. So, why could this be a bad thing?
Megapixels are a good thing, but only to a point. While camera manufacturers often emphasize pixel counts as a selling point, a high pixel count does not always equate to a good image. More than anything else, it is the size of the pixel, not the size of the pixel count, that makes good images.
The general rule is that bigger pixels perform better. As seen in the picture above, if each of the sensor formats were to have, for example, 16 megapixels on the sensor, it it easy to realize that the 1/2.5” point and shoot sensor will have pixels that are much smaller than those on the full frame SLR sensor. This relationship between sensor size and pixels contained (number of pixels divided by sensor area) is referred to as pixel density, which basically states how many pixels are crammed into a given area. In 2012, many digital SLRs have pixel densities around 5MP per square centimeter while many point and shoots will have a density of around 50MP per sq. cm. This, more than anything else, shows why digital SLRs perform so much better than point and shoots in high ISO/low light situations. Want proof? Go here for an in-depth comparison. The reason for this greatly differing performance is what is called the signal to noise ratio. Really, it is not a numerical ratio, but a relationship between the amount of noise and the amount of signal (light) the pixel captures. All electronic sensors, including camera sensors, inherently produce noise. The problem with the small pixel is the amount of signal (light) they are able to capture. Small pixels of point and shoots have a small surface area and are able to capture far less signal than a large pixel of a digital SLR. Since the large pixel can capture a lot more signal than a small one, that signal can effectively drown out the noise, which is something small pixels cannot do nearly as well because of their small size.
To quantify, let's say that both a point and shoot's and SLR's pixels have an inherent noise level of 5 units. However, the point and shoot captures only 20 units of light while the SLR captures 100. In the end, the signal/noise relationship for the SLR is 100/5 while the point and shoot is 20/5. The 100 units of light will be far better than 20 units for overcoming 5 units of noise.
A further complicating factor is the camera's sensitivity (ISO) setting. Higher ISOs are more sensitive than lower ones. While the higher ISO will boost the camera's sensitivity to light, it will also amplify the noise that is inherent in the sensor. The end result is that at high ISO, the same amount of light will be captured (although more quickly) but the amount of background noise will increase. For example, say a pixel captures 100 units of light with 5 units of noise at ISO 100. That sensor will capture the same 100 units of light (although more quickly) but 50 units of noise at ISO 3200. The closer the amounts of signal and noise, the less the noise can be drowned out by the signal.
Before anyone goes shopping for old, low megapixel count cameras, it should be noted that all the news is not bad. Advances in technology produce sensors with inherently lower and lower noise. So just because a newer camera has smaller pixels than an old one, the chances are that the newer camera will perform just as well or better than the older model, but this can only go on for so long. Eventually, the point will be reached where image quality will start going down because of noise issues created by small pixels. This was the trend for crop-frame dSLRs for about 3 years, starting in 2007 and winding down in 2010 as many manufacturers held their pixel counts steady during this time, only increasing pixel counts again in late 2010 after technology improved sufficiently to prevent drops in image quality.
As for the D800s themselves, who knows what its pictures will look like? Going by the stats alone, the D800 has about the same pixel density as the current generation of crop-frame Nikon dSLRs. Interestingly enough, those cameras, while mopping the floor with the previous generation of 12Mp sensors, still couldn't equal (or let alone better) the D700. Want to see for yourself? Check out: the Comparometer at Imaging Resource, pull up the D7000 and D700 test images and take a look.
Obviously, my hope is that Nikon tweaked sensor enough to at least equal D700 performance at high ISOs, one of the main reasons that people were drawn to the camera in the first place.
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